I. ON MAY 23, 1990, a one-act verse drama opened at a tiny experimental theater called the RAPP Arts Center, on East 4th Street in Manhattan. Its author, Thomas M. Disch, had written the script “in a ten-day marathon, sequestered in a cottage in the Poconos.” Disch’s commercial hopes for the play were not high: a working theater critic for The Nation , he was acutely aware of “the normal mortality rate of Off-Off-Broadway productions” (later, speaking to an interviewer, he described the RAPP Theater as “as far Off-Off-Broadway as Broadway can get”). The show’s initial three-week run passed without incident: “The play,” Disch wrote later, “got a good amount of critical attention but not the make-or-break authentication of notice by The New York Times .” A lone rave in Theater Week , comparing the play’s cult potential to that of The Rocky Horror Picture Show , convinced Jeffrey Cohen, the RAPP’s artistic director, to bring it back for an open-ended revival. That was when the trou...